Jim Hopper (
something_incredible) wrote2021-03-24 07:40 pm
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The last time Hopper had to do something like this, it'd been in New York. And it'd been a hell of a lot more expensive there, that's for sure, although the two storey townhouse he'd found them on Maple Street wasn't exactly cheap. He's a detective, though, he gets paid a decent salary and now he's got a mortgage, too.
And a place for the three of them to live.
With Eleven moving in, he'd given up his bedroom for her, but his back had ached within two days of sleeping on the couch and he'd pretty quickly come to the conclusion that they'd need a new place. Somewhere they could all have their own space, without tripping over each other or Ellie, who deserved a back yard to run around in on the days Hopper got caught up at work and couldn't always take her for a walk.
The townhouse is between Beacon and Hegal, the end unit of three, closer to Beacon. It has a gate on the side, a fenced in yard big enough for the dog and for Hopper to put out some lawn furniture, a few chairs, a little table. There's a tiny balcony off the window of what he figures will be Beverly's room, a ladder that leads down into the yard, but only once it's pushed down from above. No one can reach it from the ground and he kind of likes having the escape route, if there ever was a fire.
It needs some work. It isn't brand new, some of the baseboards are scuffed and need replacing, there are some cracks in the plaster in the kitchen. The floors are hardwood, which is nice, but they need to be refinished all through the second floor where the bedrooms are located.
Besides that, it's a nice place. Three bedrooms on the second floor, a bathroom off the master suite, which Hopper likes, because sharing a single bathroom with two teenage girls isn't something he's looking forward to. There's a fairly large bathroom between the two other rooms, one of which will be Beverly's and the other Eleven's. The main floor has a spare room, maybe an office, he hasn't decided yet, a sizeable kitchen and living room, as well a dining room Hopper figures they'll almost never use.
But there's space for all of them and as he stands on the front step with a box in his arms, the dog winding around his legs before disappearing into the townhouse to investigate, he feels pretty damn good about it.
And a place for the three of them to live.
With Eleven moving in, he'd given up his bedroom for her, but his back had ached within two days of sleeping on the couch and he'd pretty quickly come to the conclusion that they'd need a new place. Somewhere they could all have their own space, without tripping over each other or Ellie, who deserved a back yard to run around in on the days Hopper got caught up at work and couldn't always take her for a walk.
The townhouse is between Beacon and Hegal, the end unit of three, closer to Beacon. It has a gate on the side, a fenced in yard big enough for the dog and for Hopper to put out some lawn furniture, a few chairs, a little table. There's a tiny balcony off the window of what he figures will be Beverly's room, a ladder that leads down into the yard, but only once it's pushed down from above. No one can reach it from the ground and he kind of likes having the escape route, if there ever was a fire.
It needs some work. It isn't brand new, some of the baseboards are scuffed and need replacing, there are some cracks in the plaster in the kitchen. The floors are hardwood, which is nice, but they need to be refinished all through the second floor where the bedrooms are located.
Besides that, it's a nice place. Three bedrooms on the second floor, a bathroom off the master suite, which Hopper likes, because sharing a single bathroom with two teenage girls isn't something he's looking forward to. There's a fairly large bathroom between the two other rooms, one of which will be Beverly's and the other Eleven's. The main floor has a spare room, maybe an office, he hasn't decided yet, a sizeable kitchen and living room, as well a dining room Hopper figures they'll almost never use.
But there's space for all of them and as he stands on the front step with a box in his arms, the dog winding around his legs before disappearing into the townhouse to investigate, he feels pretty damn good about it.

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It sort of made her wish again she'd had even one parent who cared that much about her, but that was something that she couldn't change and wasn't worth focusing on.
She'd sent a casual text last week with a funny picture of one of the new recruits' attempts to tie a bandage. She thought he'd appreciate that, and he had. He'd said something about moving and let her know where, so she'd come by today with a housewarming present of cleaning supplies. She'd moved into a lot of places and none of them had been clean except the one Section had provided (and that had been dirty in totally different ways).
She had a little bucket with a sponge, cloths, and some cleaning stuff in bottles and she swung it gently as she sauntered up to him.
"You're supposed to put your stuff in the house."
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That isn't even entirely a joke. After he'd torn his place to shreds looking for the bed the lab had placed, there hadn't been much left in the way of furniture, and when he'd moved them out to that old cabin, the furniture and the bed for Eleven had already been there.
This really is unlike anything he's done since New York.
"Did you bring cleaning supplies?" he asks, looking down at the bucket she's holding.
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"Yeah. New places are always a little dirty or dusty, and you probably don't remember what box you packed yours in," she shrugged.
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"C'mon, I'll give you a tour," he says. "It's not huge, but with two girls now..."
He trails off and makes a knowing face over at Nikita. Two teen girls, one dog, one bathroom, it just wasn't going to work out for long without someone losing their mind.
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"Sure. Hope you got your own bathroom, at least. And that there are enough doors to slam for everyone to feel good when they do it."
She had been an angry teenager. If there had been a door, she wanted to slam it, whether she actually did or not.
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He had hated it, but now he'll take it. If it means she's here and safe, she can be angry with him whenever she wants. As long as it's justified.
"Yeah, three bathrooms," he says, sounding kind of impressed. "Two upstairs, one for me, one between their rooms, and a small one down here. Just a sink and a toilet down here, but it's more than good enough."
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"The door slamming's a requirement, I think. Better that than holes in the walls, maybe?"
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He looks pleased, and she can't help but smile small to see it. She's a little nervous about this, but excited, too. It's a real house — maybe not big, like Mike's, with a basement and everything, but it's bigger than the apartment, bigger than the cabin — and it's theirs. Hers and Hopper's and Beverly's. Even the silly dog, who El has decided she likes, too.
Even if her name is Ellie.
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With another small smile, Hopper steps over the threshold and into the home. Their home.
"You remember looking at this one, right?" he asks. "I know we saw a lot of places that day, but this is one with all the bedrooms upstairs. A bathroom between the rooms that'll be yours and Bev's."
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He likes birds.
"Which one is my room?" she asks, shaking herself from the thoughts. She should focus on getting all of her things into her room, and maybe helping Hopper with anything too heavy.
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"Bathroom," he says, pointing. "Then Bev's room is the one at the back of the house and this is yours."
He walks into the room at the front of the house, then reaches out and pulls open the curtain that cover the big window. At the cabin, she had wanted the windows open and now he can actually give it to her. The window overlooks the street outside, the small green space across the street, trees and houses and cars as they drive by.
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"I can change this?" she asks. She looks up at him, the hope tempered by a nervous wince. But she has her own taste, now. Max had helped her learn about it, and she wants to decorate her room the way she thinks she'll like it.
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He looks at the room as a whole, imagines what Sara's room had been like in their apartment in New York, then smiles at Eleven. It's a gentler smile than most of his, usually only see by El or Beverly. These are his girls now. Sara will always be his first girl, the first to have his heart, but she shares it now. And she's gone. It's time to look forward.
"Anything you want, kid," he says. "This is your space. Short of knocking out walls, you tell me what you want and we'll get it done. But you're helping with any painting."
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Now he wanders down the pleasant little street that is subtly but unmistakably nicer than the surrounds of either Hopper's old apartment, or his own. He grins when he sees Hopper standing on the front stoop with a box in his arms. "Moving up in the world, are we?"
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The sofa he left in the apartment. It had been there when he moved in and he doesn't feel right taking it. They've got new furniture coming, nothing fancy, but good enough.
Good enough to make a home.
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Two teenage girls. Vimes still can't quite believed that Hopper's daughter actually showed up in this damn place. That kind of unalloyed good doesn't happen to men like them, at least not by chance. Vimes isn't even jealous, not really. Hopper deserves this kind of good luck.
"How's your girl settling in?"
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"She's got a thing with jealousy," he admits. "So she's tryin', but I think she worries a lot that Bev's taken her place in my life."
It's hard to explain to a kid who's never had a proper family that that's not how it works.
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Now, he follows Hopper in with his hands in his pockets, and though there isn't much to see inside yet, he thinks it feels a bit like a home. He's not even sure why.
He leans against the edge of the table and sends Hopper a look that seems to say, Better you than me. "Gods," he huffs. "Kids."
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The words are still hard, but he's pretty sure he needs to be saying them. It used to be he'd lie about Sara, say she lived with her mom in New York, but even he had been able to recognize just how fucked up that was.
"Hopefully one bedroom isn't slightly smaller than the other," he says, mostly joking. "I don't wanna deal with whatever blow up that might cause."
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And he'll get to fuck with Hopper, which is one of his favorite things in the world to do.
"This place is awesome," Steve says as he hauls in a box labeled Bev. What could a teenage girl own that is so heavy, pray tell? He finds Hopper in the foyer, and pauses in front of him to look over at him over the top of the box with the most earnest expression he can muster. "Which room is mine?"
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"Got one of Bev's boxes?" he asks, peering at what Steve is carrying. "Her room is upstairs and to the back of the house down the hall. C'mon, I'll show you the rest of the place while we're up there."
It feel kind of strange, settling into a home again.
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He nods and hefts the box up as he climbs the stairs, peering over the top of it as he follows Hopper's directions to the empty bedroom. After setting it down and using his foot to nudge it up against the wall, he turns to find Hopper in the doorway.
"How's that going? El being here, I mean." It would have to be kind of strange after so much time apart, even if the reunion was obviously a happy one. "Is she settling in well? She's already used to weird, at least."
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An easy way to sneak out, he knows, but he'd rather have the safe exit.
"But I figure that'll fade in time," he says. "How's the girlfriend thing going?"
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When Hopper asks about Maeve, Steve can't help the dopey smile that spreads across his face. Things with Maeve are going well. So well, in fact, that he kind of feels like he's waiting for the other shoe to drop sometimes, but maybe that's just because of his past experiences. "Pretty good, I think. A super smart woke feminist dating a slightly smooth-brained jock from the 80s has the potential for all sorts of disaster, but we're doing pretty good. I feel like I'm learning from her all the time."
Maeve never makes him feel like an idiot, not like Nancy did from time to time, but she also doesn't hesitate to call him out on his bullshit. He appreciates that, because he does want to be a better person than he was. If there are areas he can approve, he'd like to try, and she helps him with that.
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Then reality had settled in. Bills and mortgages and too much alcohol. Sara's death.
He isn't about to say any of the sort, though. Even if life catches up to everyone, he doesn't want to be the asshole who brings Steve down when he's in a good place.
"That's important," he says, then grins. "At least, I think so. I haven't exactly had a whole lot of great history to base that on."
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