Jim Hopper (
something_incredible) wrote2018-02-04 03:56 pm
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Apparently in 2018, it's impossible to find anywhere that allows you to smoke inside. He could quit, like half the people he meets these days suggests he do, but Hopper doesn't really like the idea of giving up the one thing that's still familiar to him in this weird city.
He's not even a cop anymore. He could be. At least, he's pretty sure he could be, but this place seems to fall somewhere between New York and Hawkins when it comes to the level of crime he'd be facing and Hopper honestly isn't sure if he's ready to take a step back in New York's direction. Hawkins had been weird in recent years, yeah, but somehow facing down a bunch of monsters with heads full of teeth where their faces should be just doesn't seem as daunting as returning to cases of assault and murder and rape and abuse.
Shit like that's exhausting. New York had just about wrung every last little bit of good out of him and he can think of a lot better things to do with his time than going back to being a cop.
Like smoking. And drinking. And maybe taking a few pills to ease the pain. He hasn't, not yet, but he thinks about it every day. The only thing that keeps him from going back there right now is the thought that Eleven might show up here someday and he'd hate for her to see him like that, his eyes glazed over, just this side of high on whatever pain pills he was able to find. It had been fucked up before, but at least before there hadn't been a kid to worry about. The fact that there hadn't been was what took him to the pills in the first place, but now there is again. There's Eleven.
Maybe some other kids, too.
So right now he's huddled outside a bar, the collar of his Hawkins PD coat turned up against the cold wind, smoking the last cigarette in the pack he'd bought the day before. He's going through them too fast, but there's not much else here to distract him.
Another beer maybe. It's probably too early to get drunk, but just one more won't kill him. He takes one last drag from his cigarette before crushing it against the heel of his boot, then turns back toward the bar and nearly walks straight into someone.
"Shit, sorry," he says, lifting his hand to her shoulder to steady her.
He's not even a cop anymore. He could be. At least, he's pretty sure he could be, but this place seems to fall somewhere between New York and Hawkins when it comes to the level of crime he'd be facing and Hopper honestly isn't sure if he's ready to take a step back in New York's direction. Hawkins had been weird in recent years, yeah, but somehow facing down a bunch of monsters with heads full of teeth where their faces should be just doesn't seem as daunting as returning to cases of assault and murder and rape and abuse.
Shit like that's exhausting. New York had just about wrung every last little bit of good out of him and he can think of a lot better things to do with his time than going back to being a cop.
Like smoking. And drinking. And maybe taking a few pills to ease the pain. He hasn't, not yet, but he thinks about it every day. The only thing that keeps him from going back there right now is the thought that Eleven might show up here someday and he'd hate for her to see him like that, his eyes glazed over, just this side of high on whatever pain pills he was able to find. It had been fucked up before, but at least before there hadn't been a kid to worry about. The fact that there hadn't been was what took him to the pills in the first place, but now there is again. There's Eleven.
Maybe some other kids, too.
So right now he's huddled outside a bar, the collar of his Hawkins PD coat turned up against the cold wind, smoking the last cigarette in the pack he'd bought the day before. He's going through them too fast, but there's not much else here to distract him.
Another beer maybe. It's probably too early to get drunk, but just one more won't kill him. He takes one last drag from his cigarette before crushing it against the heel of his boot, then turns back toward the bar and nearly walks straight into someone.
"Shit, sorry," he says, lifting his hand to her shoulder to steady her.
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She's taking a sip of the coffee when someone seems to just appear in front of her, causing her to startle and stumble. Coffee spills slightly down the front of her jacket but she keeps her feet and her books mostly due to his hand on her shoulder.
"It's okay," she says automatically, trying to brush the coffee off her jacket with the fingers of the hand she has around her coffee cup. "It's okay. I'm fine."
She looks up, notices the jacket and though she knows Hawkins PD doesn't mean he's joined Darrow's force, she still says, "No harm done, Officer. I wasn't paying attention."
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Half the people he's met in this city are children and teenagers, this seems to be the first time he's run into someone close to his own age and of course he's spilled coffee down her front.
"They don't let you smoke inside anymore," he explains, gesturing at the bar as if that will make sense of the fact that he's just walked into her.
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Lucy tugs at her collar, presses her scarf to the liquid to dampen it and then sighs before smiling at him. "And you must be from quite the different time for that to be surprising. They haven't allowed that in my time for a long, long time."
Just from looking at him, she can't guess from what time he might be from. She doesn't think it's too long ago just by the jacket but maybe that's something he's picked up since arriving. "At least it's not snowing today. Cold but not as cold as it's been here."
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He almost gives an awkward pat at the front of her jacket with the napkins before he realizes what he'd be doing and stops himself with his hand outstretched. He's been around kids for too damn long, it's like he's forgotten how to interact with actual adults.
"I'm Jim," he says. "Can I buy you a replacement coffee?"
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Lucy glances back, eyes falling on the bar that he'd been standing outside of and nods at it.
"Unless I'm taking you away from something? A coffee can wait if you have some troubles to wile away? I've gotten pretty good at that myself but I tend to use wine. The only reason I was going with coffee right now is that I need to stay awake tonight. Wine will put me right to sleep and make me the prototypical lightweight."
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Now he's on his own and drinking seems like the only thing he can think to do.
"No, it's okay. The troubles will still be here later," he says, then smiles a little. "I can forget 'em for awhile with a cup of coffee. So why is it you need to stay awake tonight?"
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She's not sure if she can hold true to it though. Most of her students are exceptionally well spoken but there are some who are...not great test takers. She's not sure what she's doing to do if she sees 'George Washington' as an answer because it's easy to write when you don't know the true answer.
"So, coffee. I figure it's better to prepare now than to wait till I'm home and I can use coffee as an excuse to not grade."
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"Sorry, a professor," he corrects himself. "Must have a lot of patience."
Even just dealing with one kid has been tough for him at times, but what he wouldn't do to get Eleven here with him. It's not even that she has abilities other kids don't, because Sara had certainly been frustrating, too.
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Thankfully, it was maybe one or two students per semester and it was always just a dumb mistake. Once they were corrected, they were pretty embarrassed.
"But, I would think an officer of the law would have to have the same level of patience," Lucy says, nodding to his jacket. "You have to see a lot of bad things and stupid things too."
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Looking at Lucy, he says, "Yeah, it takes some doing sometimes. I haven't gone back to it since I got here and... are you one of those people who are from this place?"
He's only met one or two so far, mostly he's been keeping to himself.
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How did you make sense of not being able to leave? Not everyone went on vacations, sure, but people had to suspicious when it came being able to drive to one specific place and going no further. How did people not question that? How did it not cause questions to be asked?
"No, I'm from the United States at around present day as far as I can ascertain," Lucy says. "I know most of the technology here well enough."
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"Does it get any less weird?" he asks, finally pulling open the door of a coffee shop. It's a quiet place, they don't seem to do as much business as the bustling shops he sees on every corner, but he likes this one better. Understands it more. "So far it hasn't gotten any less weird for me, but then this..." He pauses and pulls out his cell phone, although he's pretty sure the battery is dead. "This doesn't make any sense to me."
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"It gets easier though," she says, trying to be reassuring. "You'll learn what that is and this place is full of helpful people who will want to help you. That thing you're holding is just a handy way to call someone so you're not stuck waiting at home. It's convenient even if it can get...addictive."
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He can see how it would help with a kid, though, how it would be better to keep an eye on someone like Eleven. How it would have been better to call her whenever he was going to be late. Maybe he would have disappointed her less.
"I got a kid back home," he says, rubbing his chin as a waitress comes over. Of course he'd say it as soon as they're about to be interrupted. It keeps it from being too serious. "I keep thinking about her."
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"How old is she?" Lucy asks, thinking too late that that might be a little too much information for someone that this man doesn't really know. "That must be hard, to be away from her. Unfortunately, not even a cell phone would help you in that situation. I've tried to call people back home and it does nothing but ring busy."
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"Thirteen," he says with a faint smile. Sara would be fourteen now if she'd lived, just a year older than Eleven. He thinks about that lot. More than he should, probably. "Her name's Jane. Her mother died a long time ago."
The lie is a hell of a lot easier to tell someone he's only just met than it had been to tell Eleven.
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No matter what people have told her about how she is still, somehow, back home, hasn't left, she can't help but think she's missing out on the opportunity to get her sister back or to spend more time with her mother. She's stuck in a city where she can do nothing for no one back home.
"I'm sure you miss her," Lucy remarks, tapping a finger against the table and smiling lightly. "That's one thing I really hate about this place, not being able to communicate with anyone back home. Not to even tell them you're alive."
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But he hadn't had a choice with Eleven. He couldn't just leave her out there to fend for herself, not with the lab trying to find her, not with the things he knew they would do to her. He'd needed to keep her safe and now he misses her.
"Do you have a family?" he asks. "Kids?" Easier to deflect in that way a little, maybe find some way to commiserate instead of making it all about him.
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Lucy doesn't mention that her mother's not sick anymore but it's not because of cancer treatments. It's because time is wrong, off. Amy is gone, her mother's okay and she has no idea what to do to fix everything.
"I suppose I count my students as temporary children," Lucy remarks idly. "They're my kids for a few hours a day and then I send them home and I'm happier for it."
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But everything had changed when he'd met Diane, even if he didn't actually know it until she was pregnant. There had been so much fear associated with that news, but at the same time he'd felt something change inside of him. He'd loved Sara long before she was ever born.
"I'm sorry about your mother," he says. "That's a lot of work, taking care of someone who's sick."
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It was her fault that Amy was gone in the first place and not being able to get her back is killing her. But, the guilt she feels at wanting that, at wanting her mother to go back to being sick is festering as well.
"I don't want to say you get used to anything like that because it sounds...cruel," Lucy says, frowning, "but it's true. We worked out a system and we still were able to live individual lives. I would make the same choice again if I had to."
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He shouldn't say it now either, but for the first time in his life, he's sitting down with someone who's saying things he's been through, things he understands deeply. The sorts of things people only understand when they've been through the same thing.
"Jane," he says, looking down at the table top, at his coffee, at the blue braided hairband around his wrist. "She's adopted. I was never with her mother, but I used to be married. We had a daughter, too, her name was Sara. When she... I mean, I know what you're saying. We worked out schedules to make sure someone was always with her when she was in the hospital and it became almost... normal. For awhile."
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"You do what you have to do and you make it work," Lucy says, nodding. "It's never easy but it becomes normal, like you said. You put your own feelings into a box and just focus on what needs to be done. If they need to be cleaned up today, if they need another pillow because they look uncomfortable, if the light's too much, if the temperature's right. Small things that you and I would take for granted for ourselves but not for them."
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Maybe that's why he'd lost Diane, too.
Nodding, Hopper smiles faintly, a twisted expression, and says, "And sometimes things stay in the box even after everything's done." He'd cried for Sara, held himself, curled into a ball and cried, but even after the grief had run dry, he had hurt. And so he had medicated himself with pills and with alcohol.
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She needs Amy back for her own sanity.
"But, I've prepared for it," she adds after some thought. "And you're right. Sometimes the only way to...keep going is to put things like that in a box never to open them save for every once in awhile. Grief is debilitating. If you don't want it to sink you, you do what you have to do."
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